post-apocalyptic, neo-elizabethan cinema.

Thursday, February 9, 2012

three days of the condor (1975)



















What attracts the eye?
for what reason?

Cinematic spectatorship, in the activity of emotional response, is dependent upon one's biological empathies, along with all the ego acquired associations.
Posted by lopez at 3:53 PM
Email ThisBlogThis!Share to XShare to FacebookShare to Pinterest

No comments:

Post a Comment

Newer Post Older Post Home
Subscribe to: Post Comments (Atom)

archive

  • ▼  2012 (95)
    • ►  May (2)
    • ►  April (22)
    • ►  March (18)
    • ▼  February (22)
      • belladonna of sadness (1973)
      • camille (1936)
      • the girlfriend experience (2009)
      • love is a many-splendored thing (1955)
      • play time (1967)
      • the ghost writer (2010)
      • No title
      • a married woman (1964)
      • la habanera (1937)
      • how tasty was my little frenchman (1971)
      • bonnie and clyde (1967)
      • gun crazy (1950)
      • odd man out (1947)
      • osama (2003)
      • three days of the condor (1975)
      • berlin express (1948)
      • awakening of the beast (1970)
      • awakening of the beast (1970)
      • awakening of the beast (1970)
      • fast, cheap, and out of control (1997)
      • awakening of the beast (1970)
      • la chinoise (1967)
    • ►  January (31)
  • ►  2011 (18)
    • ►  December (18)
Awesome Inc. theme. Powered by Blogger.